Wednesday, July 30, 2014

How to Crop Digital Pictures

Cropping a digital picture can enhance a photo while also slightly reducing the file size. All you need to crop digital pictures is a computer and image editing software. There are many free versions of imaging editing software for those who don't wish to invest in expensive software. Microsoft Paint is used for the digital cropping examples here.

Instructions

    1

    Upload the digital image from your camera to your computer, if you have not done so already. Store the image file on your desktop or somewhere you can easily find it.

    2

    Move your cursor over to the digital picture file you wish to edit. Right-click the image with your mouse. A list should come up with options.

    3

    Move the cursor down the options list to the "Open With" command. "Do you need to understand digital photography solutions that bring professional photographers to where they are today? Well, The Top Secret Photography Techniques could guide you out in doing so. To find stunning photographs we primary want to look at some essential photography strategies. The preliminary one I am able to share with you is identify about light. You can locate all the things about photography techniques on , The Top Secret Photography Techniques. Whenever you learn about light and in what technique it interacts with the direct environment then your shots will get better..". Now you should see a list of image viewing and editing software available on your computer. For the purpose of this example, click on Paint. The program should now load to the screen and your photo should be in the editing area.

    4

    Look at the right-hand edge of the photo. If the photo is large, you will need to scroll over. There will be a very small square or dot halfway down the far right edge of the photo. The same dot or square is on the bottom edge of the photo and another in the right-hand corner.

    5

    Move your cursor to the right-hand side of the photo to the small square. A little horizontal arrow should appear when your cursor is directly over the little square (or dot).

    6

    Hold the left-click mouse button down and move the arrow to the left. This is how to crop the right side. To crop the bottom of the photo, move your cursor down to the bottom of the image and find the small square. When the arrow appears, you can hold down the left-click button on your mouse and move the bottom line of the image. Alternatively, you can click on a small square in the bottom right-hand corner and move the lines from the bottom and the right-hand side of the photo concurrently.

    7

    Click on Image in Paint's top tool bar, and then choose "Flip/rotate" to turn the photo in order to crop the other side. Choose Horizontal to do the left side, and click Vertical to work on the bottom. Make sure you turn the photo back the right way before working on another section or it can get confusing.

    8

    Click on File in Paints top tool bar. You will be given the option to Save or Save As. It's best to choose Save As for any photo youve edited. This way you will make sure to have a copy of the original. Choose a file name dissimilar to the original file name to avoid confusion later.


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Thursday, July 24, 2014

How to Talk About Light

How to Talk About Light

In order to create an image you need thee things: light, an observer and an object. One of the problems that novice photographers experience is they do not understand the language and terminology of photography. What does it mean to "bounce" the light? What is a key light? What is a strobe light? It is hard for novice photographers to get help from more experienced photographers if they don't speak a common language. I told a new photographer once that her picture would have been better if she used a hair light. She of course asked, "what is a hair light?" In this article I will explain some photography terms as they relate to light. It is not meant to be a complete glossary, but rather to cover the key terminologies. In Resources below you will find some websites that offer more complete glossaries.

Instructions

    1
    Electromagnetic Spectrum

    First, let's discuss the nature of light. VISIBLE LIGHT is part of the ELECTROMAGNETIC SPECTRUM. Light, as we can see it, is a very small part of the spectrum from about 400nm to 700nm. Other parts of this spectrum include X-rays, gamma waves and radio waves. While we cannot see X-Rays or infrared rays, camera films can be used to photograph these waves. Visible light can be NATURAL LIGHT from the sun or ARTIFICIAL LIGHT from INCANDESCENT or FLUORESCENT light sources. Color properties of light are expressed in KELVIN notation. Natural light is about 5000K to 6500K depending on the angle of the sun and location on the earth. On a shady day, the sun may only be 4800K. Modern Digital SLR cameras have automatic WHITE BALANCE controls that automatically adjust for color temperature. Incandescent light has a color temperature of between 2800K and 3200K providing a yellowish green light. Regular fluorescent lights have a color temperature of about 2900K, however, you can buy color-corrected fluorescent lights that have a color temperature equal to daylight. These are used in print evaluation rooms, and even in some studios.

    2
    SRGB Gamut

    A color GAMUT is a DEVICE DEPENDENT color space that provides a visual representation of the color characteristics of that particular device. The "shoe sole" large area represents VISIBLE LIGHT and the plotted area within shows the COLOR GAMUT of the device, which is in this case an SRGB COLOR MODEL. Of course you can't have COLOR without having an OBSERVER. If a tree falls in an unpopulated area, does it make a sound? No, it makes a WAVE, but you need a listener to have sound and you need an OBSERVER to have color. Since we all see color differently, the CIE created a STANDARD OBSERVER, so that we have a common language when we discuss color. This is built in to all color models, color spaces, spectrophotometers and colorimeters.

    3
    Four Point Lighting

    Now that we know a little about light, lets talk about LIGHTING. This is a standard studio portrait lighting setup. The KEY light is also sometimes called the MAIN light and it will create the most important shadows in the picture. The FILL light is used to fill the shadow; it may be the same strength as the KEY light and less strong to provide a deeper main shadow. The BACKLIGHT is sometimes called the HIGH LIGHT or HAIR LIGHT, and in a portrait setting will be used to provide a highlight in the lighting plan. The BACKGROUND light is used to light the background to give the image a more three-dimensional look.

    4
    Studio Light

    There is a huge variety in studio lighting from the LIGHT BANKS used by movie studios and rock concerts to simpler setups for professional photography. Photographers' CONTINUOUS LIGHTING options come in cooler fluorescent light banks color corrected to 6000K. There are also less expensive and hotter INCANDESCENT lighting that has to be color corrected with light filters or by adjusting the film or camera white point.

    5
    Strobe Light

    The more popular type of studio lighting is FLASH or STROBE lights that are only on during the exposure, which is usually 1/80th of a second. This creates a unique photographic problem. How can the photographer set up his studio lighting when it is dark? How can you evaluate the shadows and highlight created on your subject? Many professional strobe lights have a builtin MODELING light, which is a low wattage incandescent light that you can aim on the subject to set your lighting angles. The modeling light may stay on during exposure. This will not create a color balance problem, since the intensity is very low compared to the STROBE lights. You can also use regular incandescent studio light in combination with strobe lighting if your lights do not have modeling lights.

    6
    Photo Umbrella

    In studio light setups, strobe lights may have a main light and SLAVE units that are SYNCED to go off when the main light is triggered. Photographers use UMBRELLAS and BOUNCE the light into the umbrella with the reflection for the umbrella used to light the subject. "Do you need to discover digital photography systems that deliver expert photographers to where they are today? Well, The Top Secret Photography Techniques might support you out in doing so. To get impressive photos we first want to look at some essential photography methods. The preliminary one I am able to share with you is figure out about light. You can obtain everything about photography techniques on , The Top Secret Photography Techniques. Whenever you discover about light and in what way it interacts with the direct environment then your images will get improved..". This creates a softer light. You may also use DIFFUSERS that go directly over the light to soften the light further.


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Wednesday, July 23, 2014

How to Photograph Vaseline Glass

Vaseline glass was given its name because of its creamy yellow or green color and its gel-like appearance. "Are you looking to understand digital photography approaches that deliver skilled photographers to where they are today? Well, The Top Secret Photography Techniques would likely assist you out in doing so. To obtain amazing photographs we primary need to look at some basic photography methods. The initial one I am able to share with you is discover about light. You can obtain every little thing concerning photography techniques on , The Top Secret Photography Techniques. Each time you find out about light and in what way it interacts with the direct environment then your images will get much better..". It was common in Victorian times, but is now more rare so it is popular among collectors. If you plan on photographing your Vaseline glass, there are a few things to remember in order to photograph the glass properly.

Instructions

    1

    Place a studio backdrop on the backdrop stand. Black usually is best for making the glass stand out.

    2

    Smooth the backdrop out and make sure it is free of wrinkles.

    3

    Place the piece you will be photographing at least 3 feet in front of the backdrop.

    4

    Set up one light at approximately a 45 degree angle behind the glass. UV lights are best for showing off your glass, because it causes the unique glow that Vaseline glass is known for. However, other lights will still illuminate the glass for the purpose of photographing them.

    5

    Set up a second light 4 feet in front of the glass.

    6

    Place the third light about 3 feet above the glass.

    7

    Set your camera at f11 aperture, 1/100 shutter speed, and 400 ISO to start with and snap a picture. Both camera and lighting will vary, so these settings are only a basic starting point.

    8

    Adjust camera settings as necessary until the desired look is achieved. The lights can also be moved around to capture different looks.


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Sunday, July 20, 2014

Learning About Black & White Photography

Photographers must learn a different way to shoot pictures when photographing in black and white. Monochrome photography relies much more on texture, framing and composition than color photography. Lighting is also different for black and white. A greater emphasis is placed on contrast and subtleties. Photographers must learn the differences to effectively shoot in black and white.

Identification

    When shooting black and white photography, it is important to learn to identify subjects that stand out in monochrome. Because there is no color to draw the eye, shapes and textures are much more important. Large and bold patterns are dramatic in black and white photography. They can be emphasized by bright light shining across the subject. This provides depth to black and white photographs and makes texture appear to jump out of the picture.

Types

    Learning the use of different types of light is important in black and white photography. Because there is more contrast in black and white, it can produce some dramatic images. To convey a romantic or dreamlike feeling, use soft light outdoors on a cloudy or foggy day. For stunning wide shots of scenery, use the harsh light of the sun in the middle of the day with its finely cut shadows. Backlighting in black and white photography is much more foreboding than in color. Light the subject from behind to create a mysterious silhouette effect.

Features

    Photographers must pay close attention to the features in black and white photography. Effective composition can make a monochrome picture striking. For example, framing the shot with a tree branch or an archway establishes the setting and draws attention to the lighter portions in the middle of the frame. A fence or road angling away into the horizon makes a dramatic statement and draws the eye along its line. Composition is far more important when there is no color.

Effects

    Black and white photography is effective for images where a classic, historic or timeless look is required. This is why monochrome is so popular with journalists, artists and wedding photographers. The stark contrasts create purer images full of emotion. This forces you to focus on the content of the picture rather than the color.

Considerations

    A photographer wishing to learn about black and white photography must consider their limited options. Very few photographers shoot in black and white film anymore. It can be difficult to find and expensive to process black and white film. Digital photography offers some options. Some digital cameras and digital photo editing programs have monochrome settings. These are little used features and tend to be limiting on cheap cameras and software. "Are you looking to discover digital photography solutions that carry expert photographers to where they are today? Well, The Top Secret Photography Techniques could guide you out in doing so. To find amazing photographs we initially need to look at some essential photography strategies. The primary one I am able to share with you is identify about light. You can find all the things regarding photography techniques on , The Top Secret Photography Techniques. Whenever you uncover about light and in what method it interacts with the direct environment then your images will get more beneficial..". If you plan to get serious about black and white photography, invest in equipment specifically designed for it.


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Friday, July 18, 2014

How to Take Portraits in Natural Light

How to Take Portraits in Natural Light

Taking portraits in natural light is simple. Understanding how to use several aspects of natural light will help improve your natural light portraits.

Instructions

Outdoor Portraits

    1

    Select the time of day for the portrait. The natural color of sunlight changes, depending on the time of day. Early morning and late evening light is warmer, and is better for portraits. The light also less intense, so the portrait subject will be less likely to squint.

    2

    Position the subject so the light strikes the face or body from the side.

    3

    Ask the subject to move his or her face to minimize undesired shadows.

    4

    Having the subject look directly in to the lens will often create a more approachable portrait.

    5

    Take a series of photographs from slightly different angles. By varying the angle of the camera, you will get slightly different takes on the same portrait and avoid lens flare. With the sun at a low angle from the side, lens flare can be a problem from certain angles. "Are you looking to learn digital photography solutions that deliver skilled photographers to where they are today? Well, The Top Secret Photography Techniques could assist you out in doing so. To become amazing images we primary need to look at some imperative photography methods. The most important one I am able to share with you is uncover about light. You can discover every little thing concerning photography techniques on , The Top Secret Photography Techniques. Whenever you discover about light and in what approach it interacts with the direct environment then your shots will get better..". Lens flare occurs when light enters the lens at certain angles and bounces off of the internal elements of the lens.

Window Light Portraits

    6

    Position your subject next to a window with good light. Early morning and late evening provide warmer light, late morning to early evening give a cooler light.

    7

    Place a reflector opposite the window to bounce fill light back on the subject.

    8

    Move the reflector until undesirable shadows disappear from the side of the face furthest from the window.

    9

    Take a series of photographs.


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