Friday, June 30, 2017

How to Create a Lightbox

How to Create a Lightbox

Photography of small to medium sized items where lighting must be diffused requires the use of a lightbox. A lightbox is a boxed structure that contains a slightly translucent material on the top, and on three of the other sides, allowing light to be softened as it enters the box. The softened light falls onto the object being photographed, producing a natural and professional appearance. Lightboxes can be created using any structure such as a homemade wire frame or an unneeded box.,

Instructions

    1

    Turn the box over and set the bottom onto a flat surface. Carefully cut out the sides, leaving no less than 2 inches of cardboard all around each side of the box. Use a razor knife to make the cuts. The result should be a large square hole on all four sides with 2 inches of cardboard around them, creating the appearance of a cardboard "frame."

    2

    Cut away any flaps from the top of the box, so that the top is permanently open.

    3

    Cut sections of wax paper large enough to cover the square openings on three sides of the lightbox, leaving one side open from which to take your photographs.. Secure the wax paper by pressing horseshoe nails through the wax paper and the cardboard edges, bending both ends downward with needle-nosed pliers so they don't pull through. One horseshoe nail per every 4 inches should be adequate in securing the waxpaper. Use one pair of pliers to hold one end while bending the other so the nail doesn't get pulled downward cutting through the cardboard.

    4

    Lay a piece of white poster board into the box, inserting through the top so one end is at the back of the box, and the other end is at the open side of the box. Lift the edge of the poster board near the back and crease it so it "hangs" on the top back edge. Secure that creased poster board edge to the top rear edge of the box using horseshoe nails. Allow the poster board to gently hang, curving in the middle of the "floor" of the box. The front edge (near the open side) should be touching the box.

    5

    Stretch wax paper across the open top of the box and secure with horseshoe nails. Pull the wax paper as tight as possible across the top, as the top sheet will add greater stability to the box.

    6

    Place an object to be photographed onto the center of the white poster board. Aim studio lights into the top and the sides of the lightbox. Adjust lights for desired effect. Keep the lights at least six inches away from the wax paper so heat from the lights don't melt or burn the wax paper.



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How to Dye Photos

How to Dye Photos

Modern photographs are simply treasured scrapbook keepsakes for many people. For others, photographs are an art form, unique images meant to be hung and admired. Indeed, whether you are a novice or an expert, photography is a hobby that allows for great creative flexibility. There are innumerable subjects to be captured, and different sizes, shapes and finishes allow you to make each completed print one-of-a-kind. If you are looking for a natural way to add vintage flair to your photographs, tea dying the light-colored backgrounds and highlights of the images can give them an aged, timeless look.

Instructions

    1

    Scan original photographs into your computer; never dye original photographs just in case something goes awry. Print out the photographs using high-quality matte or semi-matte paper. Do not use any other paper finish, as the tea will not adhere to the paper, and the paper color will not change.

    2

    Brew a pot of strong black tea. Use five to ten teabags, depending on how dark you wish the color to be. Experiment with pieces of blank paper to find the perfect shade.

    3

    Allow the tea to cool to room temperature. Lay the first photograph in the bottom of a shallow dish large enough to hold the picture without bending any of the edges, such as a casserole dish. Cover the photograph with the tea.

    4

    Let the picture sit under the tea for one minute as you gently rock the dish back and forth to keep the tea moving. It is very important to use heavy paper and not standard printer paper, as regular paper will not stand up to exposure to liquid. Lift the image out with your fingers and dunk it in and out of the tea for four to five minutes until you are pleased with the color.

    5

    Hang the picture on a clothesline to dry completely. Clip the photograph at the very edge to avoid marring the image. If you do not have a clothesline, stretch twine across a room with an easy-to-clean floor and secure both ends to create a place for hanging your pictures.

    6

    Frame your tea-dyed photographs once they are dry. Select neutral-colored frames and mats to highlight the antique feel of the images. Hang or store your pictures out of direct sunlight.



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Pinhole Camera Tutorial

One of the simplest and easiest projects, especially for beginning photographers, is to construct a pinhole camera out of a box or can. "Do you want to discover digital photography techniques that deliver experienced photographers to where they are today? Well, The Top Secret Photography Techniques would assist you out in doing so. To get impressive photos we initially want to look at some basic photography methods. The initial one I am able to share with you is determine about light. You can find all the things regarding photography techniques on , The Top Secret Photography Techniques. Each time you discover about light and in what technique it interacts with the direct environment then your pictures will get improved..". This easy-to build device can work just like a regular camera. It also works directly with photo paper, so you don't have to deal with the extra challenge of developing film---just the paper. You are basically building a container that holds the photo paper and keeps light out, except for a small pinhole that allows just enough exposure to take a picture on the paper.

Constructing the Camera

    You can build the camera out of either a large canister (such as a coffee or oatmeal can) or a box. Use a can or box about 3 to 6 inches high (or wide when it is positioned on its side to use as the camera). Make the pinhole at the container's original bottom---the end opposite the removable lid. For a container of this size, the hole should be 1/75 inch in diameter; poke the hole with a No. 10 sewing needle while rotating the needle. You can just poke the hole into the container's material itself. However, it may be easier to make the pinhole out of aluminum foil; dark, opaque paper or soft aluminum sheet-metal. One you have a pinhole out of any of those materials, cut a larger hole out of the container and tape the extra material over that large hole (make sure the large hole is completely covered). Use another piece of dark paper for the shutter, placing it over the pinhole and securing it with tape.

Loading

    Load the camera inside a darkroom by opening the container's lid and placing a sheet of photo paper on the inside of the lid. Because you are using photo paper and not film, you can do this with the aid of a safelight. You might need to trim the paper first depending on the camera's size; a two-pound coffee can takes paper just over 2 by 3 inches. Make sure the paper's emulsion side faces the pinhole end as you tape it to the lid and close the camera. Make sure the lid and pinhole are both covered before you take the loaded camera out into the light.

Taking the Picture

    Place the camera so it is still; secure it to the surface it's standing on with tape or possibly modeling clay. Once you are ready to take your picture, lift up the paper shutter, then close it once the photo paper has been exposed for the proper amount of time. This time can vary depending on the type of paper used. Generally, expose the paper for two to four seconds in bright sunlight and four times that amount in less bright conditions (such as cloudy skies). Consult with an expert at the shop where you get the photo paper to see how long it needs to be exposed. Once you close the shutter, make sure no more light gets inside the camera until you get it back to the darkroom to remove the photo paper and develop it.


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Photography Techniques for Majestic Scenes

Photography Techniques for Majestic Scenes

Photography means "writing with light" and while photographs often visually document real events, they are also capable of creating majestic scenes in fantasy environments. Through experimentation over the years, several key techniques were developed to make visually vibrant and larger-than-life images out of the world around us. Making a truly original majestic photograph takes a lot of hard work, but knowing several basic camera techniques can make the job easier.

White Balance

    Experimenting with white balance is a quick way to manipulate the hue of a photograph. Each setting is meant to compensate for the ambient lighting of your shooting environment. While using the camera to find the right white balance can be aesthetically pleasing, you can often get a good result by using the settings against their purpose. For example, using the tungsten white balance setting on a cloudy day will give your images a blue hue. Photographers often use this technique to add intrigue to an otherwise visually boring environment.

Manipulate Exposure

    Change the exposure of your pictures so that the mark on the meter is not at 0 EV. Try underexposing and overexposing your frames to see some fresh results. Underexposing your shots can help you save the details of the brightest highlights in the image. This can preserve color as well as add a dark feeling to the shots. Overexposing your frames can give your pictures a brighter "vanilla" look which can add a fantastical feel to your pictures. Experiment with both variations until you find a result you like.

Gels

    Attach gels to your flashes to give your pictures a majestic affect. There are scores of gels available for photography and it is up to the artist to find the right ones. Using gels takes your pictures out of the real world. They spark mystery and visual interest. Use the gels to light backgrounds, objects or even human subjects. "Do you need to discover digital photography methods that carry experienced photographers to where they are today? Well, The Top Secret Photography Techniques would support you out in doing so. To become spectacular pictures we primary need to look at some fundamental photography strategies. The initial one I am able to share with you is find out about light. You can come across every little thing about photography techniques on , The Top Secret Photography Techniques. Each time you uncover about light and in what method it interacts with the direct environment then your shots will get more beneficial..". Remember when using gels that the lower the power level the flash is set to, the more saturated the colors will be.

Props

    Add vintage props to your pictures. A rare artifact could intrigue the viewers of your images. Shop around at a local consignment store and you are destined to find a unique object that could enhance the content of your photography. Be sure to give it some relevance in the picture, even if it is not literal.


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After Effects of Camera Motion Blur

After Effects of Camera Motion Blur

Camera motion blur occurs when a camera's shutter speed setting is too slow to compensate for the motion of the person holding the camera. While the severity of the blur depends on the lens, it becomes a general concern around a setting of 1/30 of a second or slower. In mild forms it can create a displeasing image softness, but pushed to an extreme, creative visual effects are possible.

Light Blurs

    When photographing a night time scene that involves one or more points of light, the motion of the camera causes the light to be "stretched" into lines as it is captured across the surface of the film. "Would you like to discover digital photography methods that bring expert photographers to where they are today? Well, The Top Secret Photography Techniques would support you out in doing so. To acquire stunning images we initially need to have to look at some basic photography methods. The primary one I am able to share with you is find out about light. You can obtain everything about photography techniques on , The Top Secret Photography Techniques. Whenever you find out about light and in what method it interacts with the direct environment then your photographs will get better..". The longer the shutter speed, the longer and possibly fuzzier the lines become. An abstract image of lines and shapes can be achieved by using different colors and sources of light, such as a candle, a cell phone, a nighttime city scene or a street lamp.

Yellow Haze

    An automatic camera that is used indoors and whose flash has failed to fire will often produce a blurred image with a yellow cast. This happens for two reasons. The first is that the camera sensed the low amount of light and therefore slowed down the shutter speed to gather as much light as possible, creating the blur. Second, common film is balanced for a daylight color temperature. When the daylight-balanced flash does not fire, the yellow cast of the typical indoor light bulb colors the image. Most people tend to throw away these sorts of images as mistakes, but the lighting, mood and shapes sometimes created make for unique images.

Panning

    Panning is achieved when a long shutter speed is used while photographing a moving object. The goal is to keep the subject in the same relative position on the film plane by moving the camera at the same speed of the subject, which will keep it in adequate focus. Meanwhile the variety of static objects in the background will blur into soft lines traveling in the direction of your motion. Panning takes a bit of trial and error, but it can produce dynamic effects with otherwise unexciting subject matter that happens to be in motion. The distinction between sharp subject and blurry background can be enhanced by rotating the camera angle as it sits on a tripod.

Zoom Lens Panning

    This type of panning involves the motion of a zoom lens in addition to the motion of the entire camera. The idea of keeping a subject in the same relative location on the film plane is the same. For the duration of the long shutter speed, the zoom lens should be turned so as to make the subject smaller while moving towards the subject at the same time. The opposite motions can be performed as well, both resulting in the subject remaining roughly the same size. The motion blur of the background, in this case, takes the shape of lines radiating out of the subject.


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    Learn the basics of After Effects CS5 and CS5.5 with Getting Started and New Features tutorials by product experts.

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    aftereffectstutorials.blog.com

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    www.photoshopcafe.com/cs4/afx.htm

    After Effects CS4, new feature walkthrough, CS4 learning Site.

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    www.digitaltutors.com/tutorial/...After-Effects-for-Motion-Designers

    If you want to become a motion graphics artist, or you already know a little bit about After Effects but you're just getting started this is the training for you.

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    tv.adobe.com/search/?q=after+effects+tutorials

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    aescripts.com

    The best plugins and scripts for 3D, VFX and motion graphics software including Adobe After Effects, Cinema 4D and Premiere Pro. Lots of video tutorials showing how ...

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    www.adobe.com/au/products/aftereffects.html

    Make the impossible possible with Adobe After Effects CC. Develop cinematic visual effects and motion graphics. Get powerful new features only in Creative Cloud.